Review: In ‘Hamlet,’ Ruth Negga Rules as a Player Prince
CRITIC’S PICK
By Ben Brantley
Originally Published Feb. 10, 2020
By Ben Brantley
Ruth Negga as the title character in “Hamlet,” a Gate Theater production now at St. Ann’s Warehouse.Credit...Sara Krulwich/The New York Times
The prince is, on first impression, a small person. The title character in the Gate Theater of Dublin’s thrilling production of “Hamlet,” which opened on Monday night at St. Ann’s Warehouse in Brooklyn under the inspired direction of Yaël Farber, initially registers as a fine figurine of a man, delicate of frame and feature.
Do not underestimate him. There is great stature in his sorrow and his rage. He can think circles around any hulking politician, and he moves as fast he thinks. You just know that he is always the smartest person in any room he occupies. And that this is both his blessing and his curse.
Hamlet is portrayed by the Ethiopian-Irish actress Ruth Negga, and the double-sidedness of this most complex of Shakespeare’s heroes has rarely been better served. Negga, best known to American audiences for her Oscar-nominated role in the 2016 film “Loving,” has created a portrait of the theater’s most endlessly analyzed prince that is drawn in lines of lightning.
Though the text places his age around 30, this Hamlet seems both younger and wiser than such a number would indicate. He has the outraged, childlike astonishment of someone surprised by hard grief for the first time in his life — and a concomitant disgust for the corrupt adult world that has shaped his existence.
